Lighting got pretty damn precise during some scenes, I used this cone to put a spot just on a portion of my character's chest to lighten up a shadow. If I did it right no one will notice... and I couldn't have this setup go unseen!
I love the "anything goes" mentality of stop motion, you can see my little flash light being anchored down with a little vaseline bottle to get just a bit of light on those foreground elements.
Definitely the most complex shot of my film, it involved a walk throughout the shot as the camera moved on 3 different axis with the focus changing, and then as the forest is revealed, an average of about 5-10 mouth shapes were swapped each frame. Definitely am proud of how it turned out though!
The last day of shooting my "room" set. You can see the container holding the "small" mouths for the trees. There will be more on those weird trees soon...
Just a really serious down shot, had to attach a mirror to the salon to read the numbers for the camera pan.